LIST OF AFFILIATIONS
| Alpers, Benjamin L. | History and Controversy in 1930s Hollywood: The case of Borzage's Weimar Trilogy' | University of Oklahoma, USA | balpers@ou.edu |
| Anderson, David | **** | david.anderson@st-antonys.oxford.ac.uk | |
| Anyanwu, Chika | In Search of the Magic Wand for African Cinema' | Curtin University of Technology, Perth, Australia | chika.anyanwu@adelaide.edu.au |
| Baines, Gary | On Location: Representing the Apartheid City in Film, Literature and Song in the late 1940s and 1950s' | Rhodes University, South Africa | g.baines@ru.ac.za |
| Balseiro, Isabel | Film Culture in South Africa' | ***** | isabel_balseiro@hmc.edu |
| Basso, Matthew | Biography of an (Anti) Imperial Agent: Buffalo Bill Fights World War II' | University of Richmond, USA | mbasso@richmond.edu |
| Bayles, Janette | Identity and urban Space in Filmic Representations of the Casbah' | Utah State University, USA | janette@cc.usu.edu |
| Beinart, William | Oxford University | william.beinart@st-antonys.oxford.ac.uk | |
| Bickford-Smith, Vivian | Reviewing Hollywood's Apartheid' | University of Cape Town | vbs@beattie.uct.ac.za |
| Broderick, Mick | Hollywood takes 'Manhattan': Hiroshima Revisionism in the Truman Years' | Murdoch University, Western Australia | mickbrod@central.murdoch.edu.au |
| Bryce, Jane | Sanders of the River versus Sundiata: contested conventions in representing an African past on film' | University of the West Indies, Barbados | jbryce@uwichill.edu |
| Burns, James | **** | burnsj@clemson.edu | |
| Callahan, David | Evading History in Contemporary New Zealand Film' | University de Aveira, Portugal | callahan@mail.ua.pt |
| Cham, Mbye | Film and History in Africa: A Critical Survey of Current Trends and Tendencies' | Howard University, USA | mcham@howard.edu |
| Christensen, Matthew | Spielberg's Friendly Slave Revolt: Men's Cross-Cultural Sentimental Bonds and the Promise of Racial Integration in Amistad's America' | University of California, Los Angeles, USA | mchriste@ycla.edu |
| Conrich, Ian | A Life Represented: The Opposing Screen Biographies of Sylvia Ashton-Warner in Hollywood's Two Loves (1961) and the New Zealand film Sylvia (1985) | University of Surrey, UK | I.conrich@roehampton.ac.uk |
| Dawson, Ashley | SABC-TV's Yizo Yizo and the discourses of Law and Order in Post-Apartheid South Africa' | College of Staten Island, CUNY, USA | ajdawson@blue.weeg.uiowa.edu |
| Dulucq, Sophie | Representation of urban areas in Francophone subsaharan cinema' | University of Toulouse, France | dulucq@univ-tlse2.fr |
| Fraden, Rena | The Soprano Note of 'Confessing Animals'' | Pomona College USA | RF004747@Pomona.edu |
| Fuhrmann, Wolfgang | Early filmmaking in Africa: German colonial cinematography' | University of Kassel, Germany | wolfgang.fuhrmann@let.uu.nl |
| Gallois, William | A Typology of Moral Histories on Film' | University of Exeter, UK ***check | gallois@hushmail.com |
| Gaylard, Gerald | Postmodern Archaic: Surviving Africa' | Witwatersrand University, South Africa | geraldgaylard@languages.wits.ac.za |
| Horton, Andrew | History as Myth and Myth as History in the Films of Theo Angelopoulos' | University of Oklahoma, USA | andyhorton@compuserve.com |
| Jeeves, Alan | 'The cinema and Health promotion in 1930s South Africa' | Queens University, Canada | alanjeeves@cs.com |
| Kozlovsky-Golan, Yvonne | Death penalty for Women and its representation in Motion Pictures' | Haifa University, Israel | ivorir@inter.net.il |
| Larkey, Uta | Kinderland: A Documentary Film from Germany (1998) | Goucher College, Baltimore, USA | ularkey@goucher.edu |
| Laurent, Natacha | Representation of Stalin in Soviet film, Kliatva (1946)' | University of Toulouse, France | nlaurent@univ-tlse2.fr |
| Lee, Calinda N. and Jenkins-Mullen, Dolly | America's Most Wanted: Docudrama's Role in Criminalizing African American Womanhood' | **** | calinda@starpower.net |
| Leech, Stephen | Catholicism in the modern cathedral; portrayals of the faith and its ministers' | University of Durban-Westville, South Africa | sleech@mweb.co.za |
| Lewis, Simon | Sidney Poitier's Ambiguous African Adventures' | College of Charleston, SC, USA | lewiss@cofc.edu |
| Lim, Shirley Jennifer | Subverting Colonial Desire: Anna May wong and Josephine Baker' | SUNY Stonybrook, USA | sjlim@notes.cc.sunysb.edu |
| Maingard, Jacqueline | Identity and Nation in South African Cinema: an historical overview' | University of Bristol | j.maingard@bristol.ac.uk |
| Martin, Florence | Moufida Tlatli's interior voices' | French Goucher College, Baltimore | fmartin@goucher.edu |
| Marx, Lesley | University of Cape Town | lmarx@beattie.uct.ac.za | |
| Matson, John | Long Live the King: Alcatel and the digitalization of Martin Luther King's 'Dream'' | Princeton University, USA | jmatson@princeton.edu |
| McKoy, Sheila | Vanderbilt University, USA | sheil.s.mckoy@vanderbilt.edu | |
| Mendelsohn, Richard | ‘Representing the Randlords: the SABC’s Barnato and the BBC’s Rhodes’ | University of Cape Town | rmend@beattie.uct.ac.za |
| Mhando, Martin | African Documentary History: A Discourse of Authority' | Murdoch University, Western Australia | mhando@central.murdoch.edu.au |
| Mistry, Jyoti | Initiating Heritage Culture in South African national cinema' | New York University, USA | mistry_1999@yahoo.com |
| Page, Melvin E. | RePresenting the Cinematic History of South Africa' | East Tennessee State University, USA | pagem@ETSU.edu |
| Paris, Michael | We Really Shouldn't Be Here, But....The Empire in Post 1945 British Cinema' | University of Central Lancashire, UK | mparis@uclan.ac.uk |
| Parsons, Neil | "Three Khamas and the Kalahari: putting Botswana history on film" | University of Botswana | nparsons@mopipi.ub.bw |
| Presley, Cora Ann | (Re)presenting the Middle Passage: Race, Gender and Narrative in Hollywood's Slave Trade' | *** | cpresley@tgsu.edu |
| Reynolds, Glenn | Image and Empire: Anglo-American Cinematic Interventions in Sub-Saharan Africa, 1921-1937' | SUNY Stonybrook, USA | glennmel@earthlink.net |
| Rijsdijk, Ian-Malcolm | Searching for the Good War in post-Vietnam America: The Challenge posed by Terrence Malick's The Thin Red Line' | University of Cape Town | ianr@beattie.uct.ac.za |
| Rivers, Patrick Lynn | University of Washington, USA | ||
| Seekings, Jeremy | Cinema and Social Change in South Africa, 1949-2001' | University of Cape Town | seekings@humanities.uct.ac.za |
| Simoes da Silva, Tony | 'From now on we must speak English': of Mongrels, Memory and Identity in Contemporary Australian Culture' | University of Exeter, UK | a.j.simeosdasilva@exeter.ac.uk |
| Slocum, J. David | Violence and American Civilization?: Problematizing the History of Hollywood Film Violence' | New York University, USA | david.slocum@nyu.edu |
| Smith, Angela | All-Consuming: The Historical and Colonial Politics of American Cannibal Films' | University of Minnesota, USA | asmith@umn.edu |
| Sorfa, David | World Cinema and the British University: More than Cultural Tourism?' | Liverpool John Moores University, UK | david@sorfa.com |
| Tegomoh, Evelyne | The Destiny of Belaka Saliou Saoumboum' | **** | evelyne@stud..sv.uit.no |
| Thomas, Valorie | The Aesthetics of Vertigo in African Diaspora Cinema' | Pomona College USA | vdt04747@pomona.edu |
| Van Diemel, Raymond | "In search of that smile" Dulcie Evon September, 1935-1988: A Documentary Video' | Dulcie Evon September Supportive Education Trust, South Africa | desset@hotmail.com |
| van Vuuren, Lauren | Representations of the San' | University of Cape Town | lauren5@telkomsa.net |
| Wynchank, Anny | Sembene Ousmane; Breaking the Silence' | University of Cape Town | anw@beattie.uct.ac.za |
| Yarborough, Richard | The Problem of Violence and Black Masculinity in recent U.S. Historical Cinema' | University of California, Los Angeles, USA | yarborou@humnet.ucla.edu |
| Rosenstone, Robert | California Institute of Technology | robert.rosenstone@verizon.net | |
| Toplin, Robert | University of North Carolina, Wilmington | toplinrb@uncil.edu |